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WELCOME

to an exaggerated site full of fashion commentary contrary to what you have heard elsewhere. I have been OG obsessed with this industry 4ever so be assured of what you read. Be always flashy and trashy like myself! Enjoy!

Junk Food
Just like the food everyone
eats everyday, this section 
is filled with short, conveni-
ent texts to read yet is 
super tasty. Eat up!
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Dangers of Nostalgia (August 22, 2019)

This could be said to be hypocritical because of the high-school Pandora playlist playing right now in my room, but the nostalgic feels are becoming too much. The major culprits of clothes which follow in this lineup are immediately targeted towards my own age demographic which naturally causes sentiments to arise. Yet, the lack of design in these clothes is apparent with a white Hanes-looking t-shirt plastered with a childhood image. The longevity of how long this apostrophe has remained over the past few years proves customers are not as worried about style as they are about rehashing old memories.

Permission can be granted on my behalf because I worked here for repeated summers in brutally criticizing this store in its product selection. The graphic t-shirts at rue21 are a sad staple for the business. The nostalgia integrated into clothing mentioned before is prime at this establishment with several references to Nickelodeon, Disney, and any subject matter relating to the 90s where these kinds of shirts will fall apart in a week. Apparently, this is what the masses are hopelessly blindslighted into purchasing. 

Fascination in this category can usually be spread for different types of clothing items but is usually focused on the beloved t-shirt. From an honest perspective, the clothing item which carried the most precedent for this decade is the t-shirt. T-shirts belong in a space but not every space. Simple and classic t-shirts are oftentimes a better choice. It offers another element of the specific rant, but they promote a sense of being generic with the most inspiration which could arise is a 4" by 5" screen grab. If one is to be nostalgic, be more creative and offer a twist relevant for today. People decades ago wore better garments anyway, so take inspiration from them. 

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now the high school trend is wearing "Friends" t-shirts to be ironic, sure
like Beavis and Butthead are style icons 
the classic; people need to move on because this show has been dead for almost a decade
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Wally World (June 06, 2019)

There was one day a while ago when I decided to embark on curiosity for how Walmart clothes. I was specifically observing the men's clothes and occasionally inspected the women's variety. The common knowledge for anyone reading this post can be agreed upon Walmart being a destination for cheaper clothes. With the advancement for how clothes are manufactured and creating better styles of clothing, purchasing them has never been easier. 

To describe what was comprised for Walmart's collection of menswear, Wrangler is still alive and well. An array of white printed shirts and denim was by a shabby display. One would think the items would come from 'Murica, yet they are made in Bangladesh. Other summery items included were quirky, printed tees, neutral shorts, and horizontal slews of colorful button-downs. With this selection, I sought to make a layout with what was there. I used a table that housed pants to display the items I chose. I intended to create a cute, summer look. Not everyone would wear it, but I would. Results are good in the selection of what's there, yet hopefully better methods can be ensued for how the clothes are executed. Plus, I'm glad I purchased buttons for my blazer which I paid way too much.  

In referring to the scientific method, a hypothesis was established for the clothes being produced in insanely cheap locations. that pose potential harm. It was discovered to be correct with the locations varying from India, Egypt, Cambodia, China, and most prominently Bangladesh. The latter country in particular being tied to much controversy due to the factory collapse in 2013. A less admirable trait found was the lack of attention placed onto how the clothes appeared to customers. They still have to look decent to some extent. I have given visual evidence to see the hysterics of what was present that night. 

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mecca of Arkansas fashion
the professionalism
fire Heather; let me be the visual merchandiser

News have officially spread for the past few days about Giambattista Valli's collboration with the ever popular and affordable fashion brand H&M. He is on the list of joining designers such as Alber Elbaz for Lanvin, Olivier Rousteing for Balmain, and the late Karl Lagerfeld for Chanel. News of his launch was further perpetuated by fashion model of the decade, Kendall Jenner, who wore a creation from the temporary line to the amFar gala. The look along with others helped bring over $1.15 million towards a personal subject of mine being HIV/AIDS research. It can be quite remarkable that the almost $400 gown made a potential upwards of $28,000 in a donation. The gown mimics those sewn individually for Valli's couture lines. Them basically resembling if Strawberry Shortcake and her friends possessed an unlimited budget. Yet, Vallis is known for sickeningly girly garments and is what he is best at executing. 

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Tutu Couture Now (Sort Of)
Affordable (May 26, 2019)

As much as Valli consistently institutes femininity through his garments, there are surprisingly mens' garments created for the line. Disney star Ross Lynch can be discovered sporting a grey and black polka-dotted suit expressing the designer's whimsy. Not all the menswear is prime such as a black rolled-up tank which could be easily appear as a DIY trick. Nonetheless, shining moments are present with an abundance of ruffles and fairytale embroideries. The range is from $17.99 to $649. This may be one of the more expensive designer launches for H&M. And in being honest, what is $17.99 is probably socks which will probably be half of the sales. Sales will come from the influential cast Valli has casted to advertise his label along with multiple customers who have worn him on the red carpet. If you have $600 lying around the wear to a tutu dress, I say go for it.

Tutu Couture Now Affordable (May 26, 2019)
These posts are from the past where I was disorganized on what to post. However,  I am emotional about everything I create, so they are still here. 
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*still a skinny legend
American
Representation
(April 29, 2019)

To warn the audience, this post will read more of a rant that potentially carries a good amount of bias. Concern is given attention towards a lack of American voice given to publications. In showing receipts being no other term to describe it, British Vogue has Edward Enninful who moved to London when he was a young child with his parents. Vogue Australia has Edwina McCann who comes from Australia. Vogue Paris has Emmanuelle Alt who nonchalantly expresses her French heritage. While for more than 30 years, American Vogue has had an editor in charge who lived extensively in Britain and that influence has affected the magazine greatly throughout the years. She is not terrible at her job at all; otherwise she would be fired, yet she has encouraged more of a British influence that is painful for the magazine. For cover stars, a decent amount of them are British and have become favorites for Vogue US such as Sienna Miller, Keira Knightley, and Carey Mulligan. The editorials can be satisfactory but show the same, tired American scenarios with the cowgirl "Western" theme with a pair of Levi's and the sophisticated New York woman walking with blood for a good pedicure in sheath dresses. It can be quite dull and proposes the question of why can't an American be the commander-in-chief. 

Yes, there is the awareness of other fashion publications in the American market like W, Nylon, and Harper's Bazaar. Yet, Vogue's status was formerly as a titan to now being a microscopic germ. The quality of work in ideas, styling, and photography has decreased. For fashion editorial pages to be good, they need to excite the viewer and cause them to gasp. Whether the readers love it or hate it the important question which should be satisfied is are people talking. What we need less of portraying through paper is the depiction of the perfect picture-frame American family (Lara Stone, Karlie Kloss) and Insta-girls being Insta-girls (Gigi Hadid, Kendall Jenner, Hailey Baldwin). If a stylist or an editor is assigned an American family story, the work can still be fashion, but it could be finished with less polish. The fake family could be going through a divorce, husband could be cheating on the wive, and the parents could be fighting because of their teenage daughter's rebellious behavior. The Insta-girls can afford their flawless nature to go for edgy and raw fashions forcing less of the typical VIctoria's Secret look, which is becoming more outdated as you read

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we don't need the housewife look, who dresses like this now
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denim again for a March editorial, groundbreaking
Gigi Hadid looking like Gigi Hadid doing whatever Gigi Hadid does to make people still buy into Gigi Hadid, nonsense
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A main problem that can arise was aforementioned in too much polish for styling. Reality is skewed into bland perfection month after month. Even though, Vogue has recently featured women of different origins and ethnicities, they are all formed to be Barbie dolls. The magazine seems so invested in pleasing the masses to where any issue can look like US Weekly in some instances. In fact, many looks in the pages mimic the editor-in-chief's style. In stepping away from bashing Vogue and broadening, all of America posts this ideal which is completely perky and happy constantly. The image is ridiculous and ludacris with affecting others. A major refresher would be to see published work enriched with creativity telling stories of what America is experiencing at the moment. Where are the issues. A Donald Trump edition would be nice or even showing the struggles of American college debt because it needs to be told. There is still the wait for a country edition which could sell well and widen the target market of what Vogue traditionally captures. The country should be set up as the revolutionary it once was in its first years of being established. 

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Put Some South in Your Mouth (April 9, 2019)

The saying comes from a restaurant by where I work called Blues City Cafe. It is always packed with eager tourists and open in the wee hours of the night. The restaurant is a major symbol for where I am being Memphis. One of the customers at the store I work said people were looking down on her going to such a place. Yet, she revealed to me the hometown of the blues is a great place to visit with lots of culture. I could not agree more and am proud to be a part of it; even though, I have only lived in the area since this January. Now involving fashion to make this post relevant, where I work and who the work revolves around will be the next focus. 

iconic Memphian scene of Beale Street

Lansky Bros. is the business in which I work where it has established a prominent position for men's fashion. From what I have observed in my few months of working there, the quality is unmatched in how garments are assembled and created. One of my first very few experiences with them was being in the men's store. It is quite the experience for die-hard fashion lovers and even music lovers for the many pieces of memorabilia. The swankiness is undeniable and is the proper foundation to the clothes of character. Marveling was enormous one day when I noticed many new Spring jackets by the walls. I remember a blue piaid with orange, floral lining, cream and purple plaid perfect for Easter, and my favorite a blue, floral brocade having a subtle sheen. As for the other half of the store, it carries items synonymous with Memphis such as a black, bowling shirt with embroidery showing the symbols from the song, "Walking in Memphis"  and shows the collections of guitars signed by famous musicians who have shopped within the store. Montgomery Gentry, Lisa Marie Presley, ACDC, Matchbox Twenty, Celine Dion have all been there. I get reminded frequently of not knowing who will pop up. Almost forgetting to mention the very front of the store, it has a low ceiling with a glossy wooden ceiling and chandelier. The walls near it showcase the ties arranged by color in the form of the famous Roy G. Biv.  Lansky Bros. has maintained this classy reputation throughout over 70 years and has modified considerably based on one person. 

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the Lansky Brothers label
Bernard J. Lansky, founder of Lansky Brothers clothing Elvis

Elvis came to the store originally located on Beale Street in 1952 as a shy teenager before his days of fame. If I can compare myself to such a legend, I can relate to him by him favoring the nontraditional clothes of the time. He apparently was called out and made fun of by other students who clearly possessed no fashion sense. All fashion icons have people who absolutely hate what they wear. Gotta love Humes! This taste of the peculiar transcended so well to the aesthetic which the founder, Bernard J. Lansky strived for his business in creating clothes celebrating a carefree individuality while looking put together. Lansky and Elvis formed a friendship that remained until the singer's death. He still bought from Lansky's frequently in his singing and acting career. If you can recall the clothes Elvis wore for his RCA contract, the sweater for JailHouse Rock, the coat for the Ed Sullivan show, and even his wedding suit, those were all originally made by Lansky's. There is one item of clothing for Elvis which gives me goosebumps, and that is a baby-pink leather coat with a mink collar stored by glass high on one of the walls in the men's store. He actually wore that coat and took it in at Lansky's for it to be repaired. It was repaired, but Elvis faced his death by that time. Such a profound part of history for Lansky's, for Elvis, for the world who listens to what he influenced that plays on the radio is solidified by a coat.  

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from the book Lansky Brothers: Clothier to the King

Memphis can be classy and bourgeoisie as at Lansky's and the Peabody Hotel, but it definitely has a funky side showing its riveting character that makes it Memphis. In a recent conversation, the other person said it is a city carrying grit which makes sense. Not every city has a strong personality like Memphis and especially with its history in blues and other types of music. Having to mention Beale because of that. The street is often times considered in my line of thinking a tourist trap with hiked-up prices (how many cliches can I use in one sentence). Yet, it is bright, vibrant, and full of revelries with music galore and people black-out drunk. Seeing the red lights, hearing the jazz, smelling the BBQ, it has to be Memphis. Honestly, I get numb to its allure, and then I get reminded when I see a camera directed near the street's entrance. Even writing this post, I am reminded of how fortunate I am to witness a key attraction of the world nearly every day and be a part of a snazzy and successful clothing business. 

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myself in the 'Roundabout" jacket
Top 10 (March 20, 2019)

Rick Owens-The stereotypical alien meets the L.A. cool girl is how I would describe this collection. The designer finally had a happier approach to design in giving more familiar shapes with bodysuits and dresses that could be worn to award shows in my opinion. The draped dresses would make Madame Gres proud while the metallic fake-fur proved to be a favorite textile.  

Some people are surfing the tides of March Madness and making their brackets. While as I on the other hand have much more fun in making my top ten runway shows from what was shown for Fall 2019. The consensus for rating the weeks is Paris dominated, Milan had some hits but definitely had some misses, London showed superb innovations as always, and New York only gave few highlights. However, two New York shows ranked on my top three. Keep on reading to know more while I give my honorable mentions. (Saint Laurent, J.W. Anderson, Dolce & Gabbana, Gucci, Alberta Ferretti, Roksanda Ilincic, Elie Saab, Derek Lam, Margaret Howell). My stances on these shows may be difficult to understand, but at least my opinions are not white-washed like current media. 

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Rick Owens
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Matty Bovan

Stella McCartney-The look on McCartney's face as she gave her salute was fabulous in that she probably thought I was right about the environment, and y'all were dumb in ignoring it. Her ecological approaches had to be included in the top 10 considering her final look being a compilation of looks from past collections in one nomadic multi-printed coat. The show was a mixture of the rainforest with urban sophistication fit for the streets of New York proving how protecting the environment can be fashionable and can be executed. 

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Paco Rabanne
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Khaite
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Stella McCartney
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Paco Rabanne
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Brandon Maxwell
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Prada
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Khaite
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Prada
Olivier
Theyskens
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Matty
Bovan
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Marc Jacobs
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Marc Jacobs
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Olivier
Theyskens
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Stella
McCartney
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Matty
Bovan
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Chanel
Brandon Maxwell

Khaite-My level of excitement for designer Holstein's show for Khaite is higher than hair in Texas. The set was a dreamlike depiction of fall with a grand ole tree and golden leaves surrounding it. The clothes proved to be a dream for women's closets all over with tailored coats, poufy blouses, and even the trendy high-waisted denim. The fantasy was present in the final tulle ensembles preparing women to be Fall fairy queens for the night. 

Prada-Miuccia delivered again with giving audiences a collection that forces one to fully digest and later appreciate. Gothic housewife comes to mind for summary. It was definitely weird but carried a great amount of pieces woman would love to own. Obsessed with the grey off-the-shoulder dress on Binx Walton and the grey hoodie cape. A cape with a hood! Prada made streetwear glamorous.  

Matty Bovan-This up-and-comer is becoming one of my favorites and a prediction is established for a bright future. He presented a depiction of what looked like 1930s Africa, yet people in those days would have laughed at these clothes. They may seem horrendous, but I view them as art. He combined so many elements but in such a harmonius way. People who do not understand can say it is just a clustered pile. However, there is shape and design and beauty such as in the trailing ballgown skirts and balloon-like silhouettes. He told a narrative with a traveling contessa obtaining treasures in Africa, and I was sold. 

Paco Rabanne-The show undoubtedly deserves an award for best fabrics. There is the lush leopard, moody florals, and my favorite being the Art Deco fan prints. Oozing high-fashion glamour at every turn with glitz and dark lips. Julien Dossena was inspired by the past but the portrayal felt new and Art Nouveau. It opened to a world not experienced yet. The show could have traveled to the tacky town with zebra and bling, but the dark undertone helped ground the looks. 

Olivier Theyskens-Irony surrounds here with the theme of Blade Runner and the movie taking place in 2019 where back then the year seemed to be completely sci-fi. One thing Theyskens continually proves is how his clothes are timeless and not trendy, and it was seen here in elongated skirtsuits and elegant black. Even the period gowns evocative of the 1940s are still relevant with the cutouts. One of them being the red plunger with accompanying slits on Elise Crombez was the standout. 

Marc Jacobs-Oftentimes, Marc gets on my nerves with diving overboard into too much, yet this collection focused on good clothes. This principle was evident in the simple backdrop of black. The clothes nodded to the designer's earlier work while headed towards the future. They even highlighted the models' aesthetics and allure such as the off-shoulder canary yellow ballgown on Adut Akech and the mint green slipdress and matching beanie on Sara Grace Wallerstadt. Brownie points go to including my fav Christy Turlington in closing the show. 

Brandon Maxwell-The show can be described as the one this season which proved to be the one of elegance. It had me shook at how garments so minimalist and graceful can impact so strongly for 2019. Appreciation is in order for nearly making the entire collection black and white. Every aspect was top notch with the garments centered on silhouette and cut and not much else. This collection is perfect for the New York City woman who has it all yet doesn't have these clothes. 

Chanel-One can point of how I am biased in giving this collection my top vote, and that person may be partially right. However, this collection brought me a pleasant form of nostalgia in it reminding me of why I loved Karl at Chanel when I first became interested in the world of high fashion. He made me escape. He made me daydream more than I already do. Plus the looks were marvelous in its Winter Wonderland setting at the Grand Palais. My favorite ones were absolutely the beginning oversize ones referencing to menswear with the models kind of looking like 70s pimps. The look on Cara was the best with traditional black and white Chanel, houndstooth, and a plunging V. She pulled the whole thing with sass. The show proved to be another Chanel oasis and gave reason as to how Karl had the power to let people experience dreams in reality.  

Trend Report: The Dark Side of Things (March 15, 2019)
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Trend Report: Bond Girl
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Marni
LaQuan Smith
Comme des Garcons
Versace
Olivier Theyskens
Alberta Ferretti

One would think with the two trends side by side they would be complete opposites; not quite. This first one with the punk theme I would associate as the daughter and the second one being her high-flying aunt having her best life. Both of them being a part of the dark arts.

The punk theme forces me back circa 2013 with the Met Gala theme influencing gothic styles onto the runways. This season is a close reminder. Black has always remained fashionable, but it was amplified extremely. In Milan, Prada and Marni channeled their inner witches by Pradas' girls sporting dark braids and enticing sheer lace while Marni took us back to high school with showing the goths in what they would like to wear. Subversive yet addicting. 

Traditionally a non-conformer, Rei Kawakubo of Comme des Garcons even tackled the trend with creating black, villanous cocoons and manipulating leather that calls back to Lady GaGa's Fame Monster days. Sarah Burton at McQueen also went to the dark with chains, chokers, and leather, yet the clothes carried a romance fit for a Scottish romantic getaway. 

I can even admit to myself that this trend may seem a little bit of a stretch. I am definitely not for certain on whether creative directors imagined Bond Girls for their collections, but the mood was conveyed through the looks. At New York, the battle was between the intellectual woman and the woman who would rather embrace her curves. When Paris happened, the winner was clear in giving the fashion crowds much needed optimism through glamour. Think of slicked-back hair and evening wear to be a stunning arm accessory to an action superstar.

Even at Erdem which is traditonally very sweet and London magpie, the looks oozed sensuality with lots of feathers, sequins, and drama. The midnight blue dress with lace inserts could definitely be worn by Vesper Lynd. Alberta Ferretti and Elie Saab threw fantastic eveningwear as well. The gown with the silver bodice is timeless in it being for Dominique, and I wish it was worn at the Oscars. For newcomers, LaQuan Smith embraced this mood with slipdresses, pencil skirts, and velvet. The leopard is also a nice touch too, and is another great trend this season. 

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Trend Report: Expedition to Marrakesh (March 11, 2019)
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favorite designer, Yves Saint Laurent

Taking time on the trend reports to journey to a mystic place celebrated by the legendary Yves Saint Laurent. I never realized his abode enlisted a cobalt-colored mansion fit for the creatures in Avatar. No wonder he called the city home. For this season, Marrakesh seemed to be home for designers in terms of inspiration. From earthy patterns and gilded gold aplenty, the mysticism of Marrakesh is able to captivate many to travel on a caravan in the mind to lose all inhibitions. 

The first happenings of this trend that I noticed were from seeing quite a bit of gold on the New York runways. One of the more notable moments was from the Brock Collection show with a showstopping gold fabric appearing like buried treasure with one of the dresses being worn by Danai Gurira at this years' Oscars. Even at Oscar de la Renta, shades were warm with a gorgeous burnt color reminding me of when my hair gets brassy, and at Michael Kors with a Studio 54 collections, some of the dazzling clothes could work for a weekend getaway to the Middle East. 

Shoutout for Milan in celebrating the trend goes to Missoni who gave an excellent show in taking its audience away but not doing a comical caricature. Of course, there were the typical headscarves and men wore the flat hats, but the chevron prints and woolen coats were undeniable. Yes, Armani did deliver another navy offering but he too went with the Marrakesh by snoods and velvet. There was suiting but was feminine and could work for a cool night in the marketplace. 

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Giorgio Armani
Oscar de la Renta
Missoni

In Paris, Dries Van Noten and Clare Wright Keller offered evening wear that was both understated yet fantasy mimicking Morrocan glamour. Think of sumptous satins and silks with impactful embroidery. Notable mentions are the trailing floral satin dress at Givenchy and the cocktail dress wrapped with chiffon at Dries. For mention of beauty, Ricardo Tisci at Burberry had the models' baby hairs be twisted with the impression of it looking like henna. Yet, they did not look like Bollywood brides with the juxtaposition of the London-influenced streetwear. This being a nice pairing to take Marrakesh in 2019 yet 1969. May you be influenced by the golds and velvets to add some whimsy. Plus if you get the chance, be like Penny Lane in Almost Famous and go to the actual place abandoning scoundrels of dirty men. 

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Brock Collection
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Dries van Noten
Left- using baby hairs extensively at Burberry; Right-smoky eyes with outrageous hoops at Altuzarra
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I don't know about you, but I am sick and tired of seeing the same 80s wedding photo. I have no excuse for my absence, but I am back to give some consensus to what has happened at fashion month. For this section, I want to focus on key trends which popped all over the runways. And no, I am not going to mention plaid because that is understood to be annoyingly everywhere at the moment; although, houndstooth was especially featured. Anyway, this segment focuses on the Diane Keaton loving trend of power suits. 

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Trend Report: Power Dressing (March 05, 2019)

I could tell the trend was established with what Proenza Schouler showed back in New York. It really personified the working woman in New York City with some degree of late 80s influence but completely can work for today. There was a cream leather coat with a matching scarf attached on Julia Nobis that would have completely fit in Diane Keaton's wardrobe for Baby Boom. The power dressing progressed into Milan with Gucci's interpretation which was in one part Batman, one part Michael in Halloween, and one part Flavor Flav (Beyonce sweetie I'm so sorry lol). Then, there was Dolce and Gabbana which gave the full classic Italian spin especially with fedoras that seems to be another trend itself. For Paris, Chanel opened with matching plaid coats and pants that had me shooketh. That is partly because of the opening looks not being the usual tweed, but the menswear-inspired looks really conveyed a new sense of style for the upcoming year. 

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Gucci
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Tom Ford

Power dressing seems to be more of a need in this time because of the tide of women needing to be represented equally. Gender inequality still exists with men typically being more regarded for high and mighty leadership positions. There could be considered a debate over whether the gender concern is still relevant but by the shows it is still remaining in the world. It's interesting how a facet of life that is often categorized as meaningless such as the fashion industry can reveal the truth and news over what is happening within society at the very moment in history. To make history you can embark on the trend. It doesn't have to include the traditional grey plaids, black tux, or square shoulders but can consist of jazzed up materials and feminine details. A suit with ruffles can kill two birds with one stone in accomplishing both trends, yet don't be too trendy. With this trend I would suggest not wearing too much. Power-based luxury often relies in subtlety and being minimal. Yet, if you are the kind of person who is the typical Leo and loves to dress like the attention beggar you are, then overdose in the extreme.

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Stella 
McCartney
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Proenza
Schouler
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I had to include
We stan this icon!
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Bridesmaids Are Now Better Than The Bride (February 11, 2019)

In spotlighting what was featured on the red carpet last night, many pale hues were donned by musical artisans. Some shunned haters, and some just were basic. The pink elephant for the ceremony literally was Miss classy Cardi B. Outspoken and crass she can be, but that night proved her to be on fire. The dress was from a 90s Thierry Mugler show that seems to be inspired by Marilyn Monroe's pink look in "Gentlemen Prefer Blondes." It featured a nude bodysuit, black velvet skirt with roses at the hip, and a more than noticeable shell-like attachment accenting a va-va-voom physique. It reminding me of my early anime days with Yu-Gi-Oh and the Toon Mermaid. Other pink moments were not so legendary with Balmain Couture. These flops including Katy Perry who looked like an Icelandic version of a Russian doll and Kylie Jenner who is entirely shrouded in too much neoprene. I do need to mention the Queen GaGa who did not wear pink but wore a light-ish metallic hue nonetheless. She stunned in asymmetrical, ruffled Celine, who is controversial at the moment, but I'll give a pass because of her majesty plus she won huge last night. This could be considered my favorite men's look of the night with Post Malone wearing a matching pink leather set emblazened with bedazzled starish and white Hanes looking tank. Embracing feminine notions but translates to my eyes as confidently masculine.    

To encapsulate the runway shows and a topic far more popular being the Grammys Red Carpet, I noticed a trend or a mood emerging from both kinds of events. You would think that with the Pantone color of the year being the bright, vivid living coral designers would finally get rid of the pastel pink hue that has defined the recent decade. I feel as if I am Jeffree Star with how much information I dedicate towards pink. Sorry to inform you but it is still running its long tried and true game. Even though the color can be regarded as youthful, fresh, and optimistic, the effects of it now have dulled as dreary grey. There are interpretations which are quite amazing to place my eyes, but are we eventually going to get a major change. I am still awaiting a tide to turn such as 2015 with everything Gucci, the 90s, and contouring. 

For what has been shown on the runway, look to Rodarte who frequently go towards the Venus silhouettes. This season caters to the bridesmaid look meets a Kansas thrift store. There were definite 80s touches with poufed shoulders, sashay shon tay, and more bows than a four-year old girl would possess. Ballet pink is noted on a sash with a sideswept, white lace dress. Another is a flamboyantly, ruffled dress juxtaposed in a natural print. A traditionally prettier option was given in sleeveless embroidered with tiny rainbow sequins and had a bow near the abdomen. A more lowkey alternative is at Ryan Roche where boredom occured, but appreciation goes towards the supple coat and slip combined with a Lady GaGa "Joanne" hat. It twas a good fav! Monique Lhullier represented the 80s trend with her fall lineup back in December with a pink dress not quite ballet pink but definitely 80s bridesmaid fashion. The light pink can be seen in the floral, Laura Ashley separates. The future still awaits for Oscars and the rest of fashion month, so let's see if style-setters can select more refreshing shades. 

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my adaptation of the Grammy winner's mermaid look
childhood fantasy with Yu-Gi-Oh
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Khaite (not Katie, Katy, or Catie) (February 9, 2019)

Needing to mention a relatively new brand that finally showcased a season full of clothing on a runway this time called Khaite. If you grew up around the same period as myself, then you would understand how many Katies or Katelyns there were/are. Heck my mother would have named me Katelyn if I was a girl. However, this version being Khaite seems more original in all aspects. The brand being carried by Catherine Holstein, who had her own self-titled line in the early 10s, now showcases sophisticated tailored pieces that call back to the old glory days of traditional Americana. This season with Holstein debuting on a runway included the signatures but carried dramatic surprises worthy of award show moments that are not tired and done over like everyone else. 

To set the scene for the show, the main attraction was the grand, storybook tree bearing leaves touched by Midas with them covering the floor to make for a golden, gilded carpet. Amazingly enough the models didn't slip. There are "happy accidents" in the world as coined by legendary Bob Ross, but falling in front of fashion's finicky finest is not one. It opened with a long, Puritan, white gown with mutton sleeves. The refreshing style continued into the clothes being based off of the suffrage movement and turn of the century in America. This being similar to a Gabriela Hearst presentation earlier, but both forms of content are original therefore no tea, no shade. With the opening long dress, Holstein stepped up her game with introducing her audience to other ones that can translate towards the red carpet. A sheer, black lace gown with billowing sleeves could be great for someone who wants to be scandalous but make it fashion. Honestly, I would love it for Kim. The sheer, red dress holds true femme fetale appeal and would even look great lined. For more innocent options, the poufed dresses at the end scream Millie Bobby Brown if she still wants to strive for the innocent look. 

Sometimes a show doesn't embrace the season such as fur for Spring and miniskirts for Fall. Khaite did definitely prove this was for Fall with not just the golden scenery, but the beautiful tones of camel, beige, scarlet, and the most sumptous forest green. The oversized outerwear was very much appreciated. Those styles along with the wavy hair and makeup called to mind of the early supermodel days in the 80s yet looked current for today. Even though there were remarks described of the inspiration coming from olden times, the collection was not only suited for the Salem Witch trials. Holstein served a nice cup of tea where the inspiration was clear, distinctive, and interesting while the clothes could work for everyday life. Imagine getting up to get errands on a crisp, fall morning in a camel duster, denim tuxedo, and zebra boots. Not everyone would do that, but I would. 

Spill The Tea, Sis! (January 29, 2019)

This can be a considered a late post, and it should be. However, I am back with the tea I drank at couture week. When I mean tea, it is translated to my overbearingly honest opinions plus real drama that actually happened. Here we go to my most hated shows this season!  

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Maria Grazia Chiuri
"Girl get It together"
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Where you at, boo?

The travesties that are needed to be mentioned happen to be two brands considered to be at the top of the game on the fashion pyramid. They used to lead in the couture circle, but those days are gone. Dior and Chanel. What is happening depresses me in a multitude of ways because the labels used to give shows I carried such anticipation for watching. The shows carried great theatrics with overtly expertise couture and bopping music. Now, the shows give a tired impression and an undesirable level of subtlety that causes me think when did everything go down. One of the most legendary tenures at a fashion house has to be John Galliano at Dior. He created unfathomable pieces with the girls appearing as outlandish goddesses looking as maximal as ever. Fast forwarding to now where Maria Grazia Churri has performed disappointingly. It is interesting to see who was responsible for what when her and Pierpaolo Piccoli were stationed at Valentino. We see the same midi, bustier, romantic dress every season with the clothes being a Xanax subscription. I watched the show at a Starbucks and tried to not fall asleep. Originally, I was excited because the set looked to be as a circus and reminded of the "Hurt" video with Christina Aguilera, yet it went downhill. Don't get me wrong. Some of the pieces were good like the gold midi dress with black, tulle collar and the dress looking as one of the skirt cages from the Pride & Prejudice era. The overall effect; however, seemed childish with the shapes. It also gave deja vu a little bit with going back to her couture show a year ago with Spring 2018. It isn't the exact same inspiration, but both graphic elements could go together. My inner desire is for her contract to expire, so Alber Elbaz can make Dior thrive how it is supposed to be. 

Chanel was not as bad in giving some drama with silhouettes and embellishments such as Liberaci feathers. Yet, negatives included no astonishing factors and the outdated style of the show with the girls taking on 50 year old women. Chanel used to have fun interesting outfits that went along with the times. Now the clothes seem to be stuck in the past. Rest can't be relied on the set being stunningly gorgeous with the inspiration of an Italian villa paradise. Do something besides a tweed army in the beginning of 16 or so looks with the usual frou-frou dresses in pastel shades. My favorite moment was when model Vittoria Cerretti got what she deserved as the Chanel bride wearing a swimsuit with a Rapunzel-length veil attached to a bedazzled swim cap. Esther Williams would have needed to watch out. The real tea of the whole show comes from the scary truth of Karl not giving a final bow salute. This is the first time this has happened since he started Chanel in the early 80s. He is 85 with health being unpredictable. I don't foresee the future with him at Chanel being much longer. This is difficult to include but I believe Chanel has to move on elsewhere in a different direction because it is failing in my eyes. It's too much for Karl especially with his own label and taking care of Fendi. 

For fun moments, I need to mention the Viktor & Rolf looks that have appeared on every fashion blog because of the pure shock value. The couture, fanciful, and magical gowns carried blunt statements and irony such as "less is more" on a gown the size of where I live. The entire show was fun, and it reflected on our current society. It was a success primarily because it got people talking. Another incidence that had me cackle was when a red-haired model at Jean Paul Gaultier screwed up when it came to walking back from the end of the runway. She missed an exit and went to the very back. It was funny to see glimpses of her reflection when she realized her havoc. This proving how terrible of a person I can be. 

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Cultural Appropriation (January 25, 2019)

It is finally time to discuss one of the grandest times of the years with the infamous couture shows. Don't think that this post is the only one discussing what occurred because of the rich depth of what was showcased plus all the tea. Now as if I have not elaborated on this specific case enough, let's talk about race and culture!

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Anna May Wong, silent film star
Naomi at Valentino (she better not punch me lol!)

Irony is spilling over radically with my cup running over that I posted about successful Black people within the fashion industry right after I saw the Valentino show in the beginning having only Black models. Another incidence came recently with the Balmain show which I could imagine causing some level of controversy due to the face coloring to make White/Asian women look lighter and Black women to look darker. In that example, I do not believe it carries so much of an offense yet was used artistically. Another aid to his defense was the fact of a Black model opening the show in a sculptural, white blazer dress showing a very, generous slit with a slight train coming down the back. Showing attention back to the Valentino show, Naomi Campbell closed it out in a sheer, deepest brown gown with trails of ruffles that some could imagine to be royal majesty. The show gave a statement as to how Black women can be viewed and the impact they have had over the years with one of the most successful models of all time. Needing to also include early aughts' favorities Liya Kebede and Alek Wek who were featured in Valentino's show and both come from Africa. Alek came in color-filled attire with a saffron, satin coat attached with a scarf paired with minty green pants. Liya wowed in a smocked, hot pink dress fit for an actual palace. She experienced trouble on the runway, but who wouldn't when that dress is bigger than my bank account. 

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sketch of Guo Pei's collection
"Little do they know I'm wearing sweatpants underneath"
You are going to be tired from a 20+ hour flight because couture took everyone to Asia this season, and yet the atmosphere does not seem to carry much tension which is greatly appreciated. Giorgio Armani, Guo Pei, and Jean Paul Gaultier all participated in the game. With Armani, there were several instances of Chinese red a.k.a. vermilion which combined with an electric cobalt made for a striking display of color jampacked in a show, yet the final clothes would fit nicely for a film noir starring Marlene Dietrich. Guo Pei played nicely since she is from China. Standouts definitely were stored in the latter section with a dazzling, royal blue sparkling number decorated with a golden snake inspired loosely by traditional Chinese attire and a wispy, sheer, sepia dress that featured the Chinese dragon traveling down the model's leg. While the show displayed immense beauty from the intricate embroideries and shapes I cannot fathom how they are started in an atelier, Chinese stereotypes seemed abundant which I find interesting because of her heritage. Maybe if she was another ethnicity, viewers may express a harsher demeanor because of possible misrepresentation in how China is. Jean Paul Gaultier can be described in a rather harsh tone as being a designer done for the books in some ways. From my observations, he has a history of going back to the glory and gore of the 80s-90s. The shows can look constantly dated with desperation. Good notes are present in Coco Rocha playing the part of the Blue Fairy in Pinocchio and Dita von Teese being Dita von Teese in a risque, black gown fitting her perfectly. Yet, the color scheme isn't current, silhouettes from Project Runway, and not even Coco Rocha can save another adaptation of the Madonna cone bra. Using culture as a means for art is accepted by your quah-zay queen, yet there are times when expressions categorize as offensive. I do wish some people would stop patronizing those inspired by different cultures. Part of the problem is accepting other peoples' stances of what is right and wrong. Real beauty is finding peace with one another.  

We each have our moments of when we become crazed about music idols? Yet, this tale of an especially crazed fan showed signs of obsession in the form of stealing outfits from breaking and entering their houses. All the hot celebrity networks has covered the issue because the anchors have nothing else drama-worthy to mention with celebrities actually achieving happiness. The amount of clothes she has stolen goes over $100,000 including items such as white dresses from Lana Del Rey, all of Shawn Mendes' slim-cut pantsuits, Ed Sheeran's plaid $12 button-downs which are probably $1,000 now, Dua Lipa's "Baywatch" swimwear, and reasonably every single one of Ariana Grande's king-size sweatshirts with her entire thigh-high boot collection. Police stations have been notified about the obsessive fan, and departments from California, Nevada, and Arizona are headed towards her location. Most embarrassing was when she stole a sparkly flapper dress from Taylor Swift's "innocent" days. She was one of those teens. 

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Fashion Fan Fiction #2: Obsessed (January 22, 2019)
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Rhonda knew what was up!
feel old 'cause I sure do?

The McClaine motel has never been dustier with housekeeping becoming a joke. Rays of sunlight creep from the shutters to shine on her waking from a slumber in a simple slip like an Italian novella. She can't remember what happened last night but knew she had to escape for if people found out. Departure happened within 10 minutes of the princess' slumber with a tired leather jacket, high-waisted shorts, vintage boots, and black shades. As she hopped into the stolen, olive-green 1964 Porsche, her airways were becoming shorter through causes of fear infiltrating her mindset. Within moments, driving was visible. This was when the tears occurred. 

Going down the Interstate, a friendly, little diner was featured on a damaged road sign. Leaving on exit 46, she drove to it by the near gas station full of drunks in nothing by leather. Aroma as she stepped out of the Porsche was full of Marlboro and Johnny Walker. She felt peace. The diner was positive, upbeat even, and showcased various, suburban families playing their designated roles. Seating was anywhere, so she sat by the corner as to avoid any windows displaying signs of the morning after. Waitresses wore white skater dresses with red aprons matching the tablecloths. Rhonda came to the corner to ask what she wanted. Quivering in panic she asked for just coffee, eggs over easy, and a side of hashbrowns. Rhonda nodded and came another time with the food saying, "It's time." Still agitated, Rhonda asked her, "What's wrong, sugarplum?" She only evaded the question, and Rhonda replied, "Hun, coffee ain't the only thing that's gonna brew for you! Storms a-comin." Nerves kicked in gear to the degree of her leaving abruptly to the bathroom in throwing up. She ruined the slip, so she decided to get an old Van Halen t-shirt from her car and change. 

Desert-like weather is the forecast with sweat peeling foundation from the night before. Annoyance comes when she realizes she hasn't met her Brad Pitt in this scenario. Country boy she loves you. As she got distracted with man crushes, she drove into a Joshua tree damaging the car right when thunderstorms burst through the skies. Moving isn't even possible for her and knew the getaway would be done. Cops arrived shortly with helicopters blasting in the air. She thought she liked men in uniform. Not this time, hunny. Hope was lost with her dead heels in the boots until a helicopter was engaging strangely by knocking out the other one. It was hijacked! Shots were fired for everyone dwelling on land but not the damsel with the beat-up Porshe and smudged eyeliner. The surviving helicopter lands and picks up her. The hijacker was a fellow thief from Parisian streets decked out in Chanel tweed with thigh-high boots. They left and began their next chapters in Japan stealing BTS' entire wardrobe.  

The Earth Now Exists in Paris (January 18, 2019)
On a YouTube video before the show was starting, I could faintly hear a song by the legendary Michael Jackson playing in the distance in the dark when buzz fluttered all around at what was going to happen. Then, the Soul Train came in the form of a saxophone player. What later caught my attention was a group sitting down, and I thought maybe they are models who are going to later walk in the show. Delight emerged to know that was not the case. The real models arrived in a few seconds.
set was basically this
"We Are
The World"
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Recall back shortly to the description about one of Michael Jackson’s songs. Well, the influence of the King of Pop did not stop there. The soulful and flashy ensembles were being showcased in a set that brought the New York City streets to Paris complete with a skyline, abandoned store fronts, and a barber shop pole. Virgil Abloh, designer for the menswear label, started the entire process with wanting a collection inspired by music. He explained, “I can’t work in my studio without music.” The atmosphere was poppin’ and groovin’ with music and even a dance number from Alton Mason dressed as a plum column seeming to experience time travel from the Jackson 5 days.

America was not the only country referenced. The collection spoke to various countries of the world. My consciousness stopped when a fur collar with printed flags traveled down the runway on a leather, bomber jacket and pleated slacks. Subtle yet impactful. Ingenuity was used in that reference for the wide-sized importance of globalization in the current market. Some of the items could be taken as too literal of multiculturalism such as the bag with appliqued flags all over and colors appearing everywhere on a garment in the later looks. The behavior of Virgil’s intention of making the world what it should be instead of what it is was reflected as one look in particular. It was executed monochromatically in browns with the stars and stripes pattern used generously in the show, yet the model’s mouth was covered with a silk blend like what is witnessed in Middle Eastern culture. Personally the effect was well-received with combining the American aspect of the stars and stripes motif with a non-Westernized style of dress with the long skirt.

In analyzing the clothing sent out, the show started with a dusty gray story filled with a healthy dose of tailoring which had a classical appearance except for the oversized exaggeration of the proportions. The beginning is unusual considering Virgil’s established streetwear trademark. He excelled in venturing out with the conservative gray. Then, in one of the looks was a glint of a crystallized glove. Thriller’s Alive! Black was the next stage in still appearing very classic like what can be generally accepted. Yet, silver laminated leather came in the form of a hooded coat and bib. Yet, I must mention the pleated grey skirt and the stars/stripes sweater beforehand. This was the beginning of Virgil’s typical atypical style relating                     to modern times. It also gave the                              notion of the obvious theme being                          America which later reappeared in                            certain garments such as the grey                      paneled fur, stoles, and one of the last                 looks being a goddess-like, draped                           pairing with a shirt and skirt.

           Predicted cult favorites showed up                    with the puffer jacket and vest                             sporting the notorious Louis XL logo. Drop wearing the logomania with the bags you see every mom carrying at a strip mall and instead be original with these bad boys. Yet, you can trust Louis for delivering in the bag department for new concepts. Ones here were emblazoned with a prism of color detailing in simple, graphic shapes representing my people. Then, here is a spoiler alert!! The bags at the end of the show glowed in the dark. That attribute has a nifty element, but I wouldn’t want all people to stare at me (unless I looked fabulous.)

This is partly a conspiracy theory due to what I noticed from the show. I believe Virgil was somewhat influenced by Prince. The inspiration suggested is not huge in the collection, but purple was used quite frequently through the show such as by the skyline set. The clothes reflected that infamous purple color with tunic and trouser sets along with a glorious double-breasted coat. This is only a guess but has validity in my mind even though the silhouettes do not match Prince’s style at all.

https://www.thefashionspot.com/runway-news/821393-fall-2019-louis-vuitton-menswear/

https://www.vogue.com/fashion-shows/fall-2019-menswear/louis-vuitton

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If I were in charge of merch
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One quality about couture that is ever precedent is there will always be the standard pretty dresses. They are not all terrible and worthless but show expert levels of craftsmanship. This side of couture also allows people to dream because of the dresses being immediately attractive to the eye and utterly stunning. The matter lies in those styles not being my personal favorite. Designers such as Elie Saab will always produce lovely gowns designed to be worn to awards shows by A-list actresses because they are generally accepted which is not a crime. Yet, that facet has been difficult to register for me over the years. 

To bring the positive notes on the subject, I have to say bravo for John Galliano. He was never picked back at Dior from where left off from his scandal in 2011 which I will never let go, but he has started a new era for Maison Margiela. It is not the same, but it shouldn't be. Fashion changes, and that is even in its definition. His concepts are wide in its complexities. The entire looks featured in his shows for the avant-garde label are not typically pretty but reveal a high fashion sensibility that evokes creativity and makes admirers dream. It could be said for his last show that he cinched up big puffer blankets with a belt and called it decent. Yet, those looks showed an impressive fit on the models and structural elements in giving an expensive appearance. Couture is supposed to be over-the-top and be considered an artform that is not approved by all which Galliano accomplishes. 

Special Notes for Couture (January 15, 2019)

A storm is coming! Approaching high with piles of embroidery, sequins, and taffeta for yards on end. It thrills my insides to know what I about to see because this is where tons of inspiration comes alive and mundane tradition in how clothes are viewed dies. In order to prep you and prep myself for a fabulous week of fantasy-filled fashion known as couture week, I have prepared some notes for designers and for how couture is for the time. 

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You had to say something dumb while drunk
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You know these dresses, 
and they will not go away.
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Guo Pei, thank you for helping us to escape and thank you Rihanna for spotlighting her

For giving short, cute critiques for designers, I need to mention the incredible Guo Pei. You are an incredible mastermind who manipulates textiles in ways unfathomable. Your masterpieces are not deemed well for living out in public, but who cares?! Function is overrated. For Karl, don't spread yourself too thin and produce looks which are fresh. We do not desire ones in which you changed a tweed suit slightly and make 20 looks from that style. Please Maria at Dior do not create another spaghetti-strap, corseted, midi dress. You have written romantic fairytales through clothing, but do other silhouettes. Claire at Givenchy you impressed from your debut. The result was not expected but well appreciated. Yet, do not be generic in your approach to not only couture, but in all areas of the Givenchy brand. For success to emerge, generality is not welcome.   

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Think Pink (January 15, 2019)
Calling back to the glorious days of Old Hollywood cinema with the movie influenced by Richard Avedon's work for Harper's Bazaar, Funny Face ;), there is scene led by Kay Thompson where she and her pin-thin secretaries express fascination on the color pink. Who cannot understand their excitement?! The color automatically brings delight to the senses including from what I have heard in the color altering the taste buds into the impression of the food being sweeter. Guess rare steak can be considered candy, right? I wish. Don't think of it as only being noted for girls' Easter dresses, but it can be synonymous with elegance for 
Fernanda Hin Ly and Audrey Hepburn with much 
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The color holds presence at this time because of my inner desire in wanting to dye my hair this color. The trend may have faded 2 years ago, but I don't care. I want my hair to look like cotton candy or Frenchie in Grease. The only limitation in this would be of my job and the requirements to look a certain way which makes sense; even though the truth can be hard to swallow. Yet, I imagine a day when I will have my own business being a main editor of a creative magazine slaying life and having a pink hair moment wearing all black. Ballet pink + jet black = !!!!!!!!!!!!! That is all. Tiredness has seeped into my spirit, and this is only a minor obsession. Be pretty in pink!

Shocked faces may be an after-effect about the utterance of my approval for this kind of behavior. Yet, I believe it is fine because let's face it in how not everyone knows what we wearing in every situation throughout our lives. Another fact arises in how people tend to not care about what we wear but on how themselves are perceived instead. We all worry what we look like without pinpointing too precisely on everyone else. The cliche goes in we are our own worst critic. With that rant placed aside, wearing the same outfit is fine if it is directed towards the notice of different people. Who would know, right?! There is sort of a satisfying feeling which can come such as sleuth playing undercover in solving a prime crime. It may not be to that degree, but it is close. 

We All Do It (January 14, 2019)

For my absence of any posts yesterday, there will be a surplus today. You will be bountifully gifted. The topic is centered on an action all of us are guilty of committing if people want to place it in that category. I have done this so many times it is hard to track. In fact, I am going to do it today. The so-called crime consists of the act of engaging in a same outfit the next day. 

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Deja Vu!
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This section details about little tips and tricks about how an outfit like a tiny car can get significant mileage. The first which arrived in mind was having another coat/jacket/whatever on standby in your car to switch up the look ever so slightly if you had to meet with similar company. People will most likely remember the outerwear than anything else. It is one of the benefits of winter! Different types of jewelry could be contained in a handbag, but make sure the pieces is not an item that is super thin which would turn out in a discombobulated mess. For changing an outfit, tuck out shirts, roll up sleeves, wear two skirts then you can switch between the two with the longer one covering the shorter. Honestly, layers are the best for these concerns. As I said, take advantage of the winter. Like my soccer coach taught me even though I was terrible, OPPORTUNITY!

Please make generic menswear STOP!
Men's Shows Actually Worth Seeing (January 12, 2019)

I reminded myself that I have not witnessed what has arrived for Fall 2019 Menswear. There is probably still a ways to go, but there have been shows which give me faith for what is to come for mens' fashion. Honestly, I wish I would have had these options growing up instead of resorting to buying an actual poncho for the sole point of purchase being it looked different. Yes, I was that attention-seeking!

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Yellow is my favorite color but really!
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Chalayan - This is the only designer to have a more than ten year industry to his name with carrying a history for producing sculptural garments noted for conceptualism. The craftsmenship was also for display at the designer's menswear show featuring inverted pleats and layering with adding bulk but not being bulky. The hoodies carried an interesting shape with the added details of pockets and flaps especially the divine black leather. Delicious! The neutral pieces were the best including a trendy houndstooth coat but with the added black puffer padding. The yellow splotched print is debatable, yet I do love men in lipstick. 

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Feng Chen Wang - I have never heard of this designer, but that can mean discovering awakening talent. The designer impressed with giving men lots of options according to the Pantone color of the year. I personally approve of the boxy suit which helps skinny minies like me look like an adult. Odes to the infinity and beyond were also utilized by sky-printed puffer jackets and space suits. One of my friends was wanting one of those space suits at Forever 21, but this one is more wearable. Plus, ballet pink is a nice touch. 

Craig Green - The meaning behind the collection holds great significance for our times with the inspiration relying on "man of glass" with men being transparent in the realm of feelings. A category which is often discouraged but needs to be addressed. Onto the clothes, skepticism arrived at the beginning despite admiration for the new shapes. Yet, the later third proved to be magnificent in candy-colored renderings of crewneck shirts and matching trousers giving the apperance of the models as old-fashioned candies. The liberation the clothes expressed was abundant. Then came the late 90s minimalist pieces which I love being the worn-looking leather anoraks and clean, crisp white. Look #33 tho!!

For my personal stance, I approve this pattern with me having a personal story of it. Once upon a time in a store I worked which I will not mention the name, I had to become acquainted with different prints of camouflage. This including a specific kind for ducks and a specific kind for deer with the exception of digital prints. This was for hunting purposes not for looking cute, yet camouflage still needs for it to garner respect. P.S. For a fun fact, they also carried camo lingerie at one point. I wonder if those pieces were ever sold.

In a YouTube video I watched recently of one of my favorite drama queens, Rickey Thompson, he said for one of his least favorite 2018 trends was colored camo pants. I'm grateful for the expression of different opinions because I have to completely disagree. Colored camo is fresh and brings to mind the early 2000s in being irresistibly tacky. However, if you are wearing those trend-setting showstoppers wear a black turtleneck or gray to offset the visual impact. Yet, add shades to add some diva 'yonce to your look. 

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Redneck Yacht Club (January 11, 2019)
The great category of rednecks can be known for quite a great number of accomplishments. Those included are muddin', talking as slow as possible, and frying squirrels (which I have had). Yet, for the sake of fashion they can belong to the responsibility of camo. Camouflage is extremely debatable whether people prefer it or hate it. A state of indifference does not apply to this topic. 
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figure you won't be seen, think again!
took down home to the street y'all
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Radical idea approaching your way with this idea, but camouflage can also be considered a neutral. Think about the khakis, olives, sepias in the print itself to help compliment and give jouge to whatever you have on. It helps to establish a sense of toughness to the wearer. Remember that the military wear this print as well, so the print does carry some power. Plenty of celebrities have followed with this concept in it giving physical proof of the print not only belonging to the rednecks down by the bayou. Thank them for camouflage plus moonshine!
my own camo! J.C. Penney isn't all bad
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Back to

1999

ooooh...You're So Urban (January 10, 2019)
I repeat this is so not a sponsored post, but it shows a sort of loophole to get the trendy products super desired which I do not completely understand. However, you readers see the appeal. 
This is a cliche, and we all hate those. Yet, everything comes back in style. Items falling into that beloved category can be found on a website of a website being the marketplace on ASOS where vintage is abundant. Just recently, I bought a pair of peach pants because of the motivation of the Pantone color of the year. The purpose for purchasing the pants proving the points of 1. vintage being relevant for today and 2. is a cheaper option than what is being sold on the market today. To help give a better backstory for what ASOS Marketplace offers, there is plenty of colorblocking, oversize sweatshirts, denim jackets, and anything else from a 90s Sears catalog which all bloggers want to imitate. Digging needs to be commitment in finding the right pieces, but inner satisfaction can be overwhelming when you finally find an item worth it. There was an ankle-length burgundy leather coat found which reminded me of Olivier Theyskens in his early days. About the pants, they were actually from an indie boutique in London bought at around $23 (it was converted to dollars including the S&H).  
Now to mention a non-fiction tale of why I do not want to shop at certain stores. I walked over 3 miles to get to a store that for the purpose of not spotlighting bad publicity can be called Rural Outlanders. Getting there took forever and my life, but I felt as if I found goodness. Stylistically the store was gorgeous in its openness, descending stairs, and clean displays organized by brand. Even the items could be considered by appreciation. Problem arises in the discovery of vintage-looking items being marked up way higher than needed. Awareness is present of the need for markup for items, but the same type of items could be found at ASOS Marketplace for a fifth of the price in the one of these stores. Through browsing pieces I can't afford because of life, I perused the records and record players. Upon gazing at the record players, I noticed it was $99. On Ebay, I found authentic originals at half of the price of a third of it. Don't let accessibility and convenience of an item falling apart within a year rule your buying decisions over the selection of a timeless purebred. Take an extra 10 minutes or so to find things that can be more loved and may save you $$. A confession was made in me not having $$, so what do I know. Well, part of it is for school, and the other is to fulfill my fantasy extravaganzas in life. 
 
 
selling for
$1,000
each
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Fashion Fan Fiction #1: Lady Killer 
(January 09, 2019)

*a tale probably retold through the

work of Geoffrey Chaucer but who cares:)

Oh, fair and oh all! Hear ye to thy decree! There liveth thou a young working maiden whom nobody really careth, yet her resilence shoneth through her arduous work in the coal mines hopefully finding her own treasure in the form of jewels even the empress Tiffany would fan herself in awe. The young, desolate maiden was such a cause but aspireth for thine own glorious achievement such as Tiffany with her shining aqua silk robe gilted with jewels of rubies, sapphires, and the most beloved, canary diamonds. However, the damsel wore rags. They were impressive rags but rags nonetheless. Her resourcefulness was extended by taking the shirt of a dead man who was despised but everyone was dreadfully frightened to reveal the truth. Pants were formed from two sleeves of an old-fashioned utility jacket her father wore in his renown archery days before he was killed in the river from intensely staring at himself so intensely he was unconscious of the fact he was declining into the body of water where he drowned of hypothermia in a pose. Her friend who also stabbeth her in thy back gave her another shirt because of seeing the act as charity work. She woreth the shirt wrapped around her waist to give the impression of being funky and original; even though the slummed down rebels wore the exact same things. Clueless personified the maiden. She was disparate for a makeover to transform her tried too awfully wardrobe basically consisting of that overrated outfit. Her guardian came out of a rock one day while at work in the mines. The guardian give quite a bit of useful sass in the form of ridiculing the maiden's lack of style to third degrees of burns but later assisted her desperation within an hour. The maiden became a respectable lady instantaneously in needeth of no man. The dress created by the witch Gabrililena of the Hearst territory for her was executed in midnight blue velvet reflecting the night sky carrying a draped cowl in the back and cascading ruffles. Thy damsel felt the power considering the amount of topaz on her arms and eyeliner outlining her eyes to make her take action. She slaughtered her guardian for taking her fortune to make her name in the far lights. Upon galloping on a horse sidesaddle, she arrived at the prince's door. His outfit caught her when she opened the door because of his embroidered floral coat trimmed with raccoon fur shoteth on the back porch. They danced in his gilded rose gold courtroom where she tried to not loseth herself in strappy black sandals. When the dancing sloweth for the couple, as her flower ridden crowned head descended upon the prince's shoulder she axed the prince's back. Once all of the prince's varied guards arrived, the maiden cried and said she could not believeth her one true hero dieth on their wedding night. The guards in their military-inspired uniforms were devasted of her colorful story. She was positioned to be the next ruler and ruled in grand larsony of Empress Tiffany's vast collection of underwater pearls throughout her reign and many other thefts, yet no one knew which left the kingdom to die out. At least, the wardrobes were coincideth to the latest fashion!

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Experimentation (January 08, 2019)
To give a quick notion on what I have done. This starts with bleaching my hair which automatically brings with that action thoughts of YouTube tutorials turning into real nightmares with chunks of hair falling and the hair resembling a mop. Yet, the processes have been decent in DIY. However, be careful with purple shampoo with stains and making you audition for Blue's Clues! The next parts are going to be the main entrees in the following dealing with beauty which is technically related here. Bleaching eyebrows and having fun with makeup!
I am quite aware of the danger in bleaching eyebrows with the Manic Panic describing the process as blinding me (which I believe is to help them get out of a potential lawsuit). Carefulness came with brief experience and a brush with not much product. Actions such as these crucial ones for one's life depend on awareness. Plan to achieve and conquer! Then, I was being goofy with makeup in trying to have fun. Not that I would go out in what forms I created on my face, but the process was enlightening to treat my face like a canvas. It reminded me of one of my favorite YouTube channels called Pixiwoo where one of the two makeup artists, Sam, decides to create a fantasy makeup look not typically liked by a lot of people. What I did was similar in the final product of Marilyn Manson and a model for Alexander McQueen. Embrace the creative, and you can look at the photos for when time passes several years from now. 
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Let's just ignore your burning scalp!
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Bye, bye blondie
What You All Want (January 07, 2019)
Well, I know that everyone still gives their own 2 cents about the Golden Globes, but I know you still appreciate the reports. So, here it is, yet this segment is focused primarily on rising Hollywood. I begin with the star who took it all. 
Danai Gunra is an actress who is as talented in the field of playwriting. She shined as a rising phoenix on the red carpet last night with representing her role as the bodyguard, Okeye, in the acclaimed film, The Black Panther. The dress could have easily translated into the perilous pageant plains, yet due to the vibrant colors of the tangerine and cranberry she pull through. Looking like absolute royalty with being a present to all including a bow. 
For a singer of the moment, Troye Sivan, he shocked headwaves literally with the debut earlier with foregoing his flaxen locks for fair, brown waves. He matched his new do with a blue suit kind of reminding me of prom, but we'll take it. Then, Timothée Chalamet captured me by not wearing the stereotypical, male ensemble. He wore all black, no jacket, and a statement-making bib with his signature hair. People I am + hate this, but I commend him for brave choices. It is fresh, new, and inventive. Shoutout to Nicolas Ghesquire!
 
Now, a rising star who is very admirable partly because I connect to Becky off Riverdale. Lili Reinhart wowed in red with even matching eye shadow. Remarkably classic but pushing boundaries in the overwhelming bundle of ruffled tulle. She may have pulled a Michelle Obama, Rihanna, and Halle Berry by helping a designer out. Khyeli is a brand formed by Ahmed Alkhyeli who couldn't work at an established fashion house, so he decided to create his own brand. It is filled with dresses that show his experience in architecture with romantic execution. No doubt he is on the rise as well.
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We love you Queen!
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probably from 4 years ago but still cute
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The OG for faux fur:
RACHEL "BANANAS" ZOE
Faux Fur Has Become Regular (January 6, 2019)
The goal for this new series is to have a new post for every day. Call it one of my New Years' Resolutions. The entire period of rebirth is one of my favorites, and this will be a great addition. With committing, it will help me to take the blog more seriously. (for real!)
To not talk about the obvious being the Golden Globes because of the usual garb from fear of the worst dressed list, I wanted to mention about a trend and hopefully a lifetime staple. Faux fur has been on the regular for some years, and this trend due to environmental awareness for the desire in treating the world as porcelain instead of plastic. It now doesn't have to be regarded as a less than costume only piece. One of my early remembrances was seeing a show from the Dark Ages with Chanel Fall 2010. The Yeti/Wooley Mammoth fur was all found to be fake. If it wasn't, then the cost would go into new car territory. 
Fastforwarding to now with faux fur coming in all colors and patterns like a regular occurrence. Brands like Shrimps and Apparis would be useful and even the silhouettes look current for our times instead of what is outdated. The look of floor-length mink is over and should be buried. It is insanely 90s but in the worst sense. In a few words, faux fur is trendier, cheaper, and honestly more wearable than the real stuff. Be a fake!
In the spring, I experienced rejection and felt as if I could not rise out of the ashes where opportunities were burned or non-existent. Any trace of confidence was gone. Then, sometime during the summer I thought of this image I wanted to portray to other people. I thought of myself having platinum hair with a much more minimalistic approach to how I dress which is very similar to what is attractive right now. I thought of the shades of what I wear to be black, grey, white, and blue. This was partly desired for the fact of me graduating college and finally attempting at the adult life. It then happened when I went on my birthday to have my hair bleached and dyed. How it happened is beyond me since my natural hair can be classified as "almost black." For my birthday, I got a wonderful bag in a paisley pattern that is predominantly navy with a sepia strap. I originally wanted a plain, sleek black leather, but I have grown to love what I have because it correlates with the style I have created for myself. 
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Urban Witch (December 30, 2018)
In chronicling the final days of the new year, I wanted to detail about the style that I've curated for myself. Even though style has remained a forefront of my life since a very early age, I did not know what my style was. I only thought about dressing as editorials seen from American Harper's Bazaar and Vogue. To show one of my embarrassing moments for utter amusement, I wore neon green head-to-toe for my first day in moving into college. Cry for attention does not even describe how I was. To explain how I would dress in a thesis statement is dress in any way contrary to what I saw. This is alrighty-okay, but there was some voice in my head that did not like it plus I was confused on who I was. This year was when I actually discovered myself, and where I want to go. 
 
 
Yes, I am aware of the current minimal, pared-down style which is everywhere on Pinterest nowadays and in people's interiors with all of the walls being gray. Then, I came to realize that the style isn't necessarily me because I naturally love excess. Color and prints are some of my favorite things. They are still incorporated but in a sleek manner relevant to today. I call it the "urban witch". It sounds ridiculous, and it is. There is folklore and mystery but speaks to the world in which we live. Think of it as old school John Galliano collaborated with Kim Jones when he was the head of Louis Vuitton's men's line. A warm glow from inside comes from the fact of knowing that I can hold onto this signature and apply throughout my life of style. It has been a challenge because I've tried to imitate different people who have been inspirations like Florence Welch, Audrey Hepburn, Jimi Hendrix, and Steve McQueen. However, through imitation I found myself. This revelation I plan for it to carry me out through 2019 with moving on into my new life. 
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Honey,
you need help
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(still minimal
but more romantic)
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Justin
& Hailey 
December 19, 2018
I am probably aware I have contrary opinions about their relationship because I love them both together. They are the perfect representation for our current aesthetic right now with the 90s movement. The trend is tired in some facet, but they both make it so delectable. People may mourn because of missing Selena, but it is the best that the relationship is over since it would have escalated to a complete, burning fiasco anyway. 2014 is over! Let's move on!
Yes, I know they got married in September, but I still want to talk about how they look together because they are a guilty pleasure to see. There have been numerous remarks about how Justin Beiber has changed his appearance as of late with the longer hair and his polished look vanishing away. He has been considered to look like he has experienced jail time, and this idea being perpetuated by his suggestive behavior. However, I think the polished look was lackluster when now he has a definitive look. Not everyone is a fan, but that is what makes it great. From having his hair be a poufed and swooped to the side like every other prom photo to now having bleached longer locks fit for rad surfers. His wardrobe is basically idealistic Californian athleisure. There are plenty of Goodwill-inspired oversize jackets with baggy bottoms. The doo rags are a prime specialty reminiscing of the classic interpretation of Romeo + Juliet in the 90s. Occasionally, some refinement exists in the form of ripped pair of exhausted jeans with a grey duster. It's not perfect, but there lies the appeal. 
Now, a strong girl crush exists with Hailey Baldwin with me strongly desiring lip injections. She is the epitome of the L.A. "IT" girl. It is great to see someone who looks fabulous living their life without drama. She is the type when you see her Instagram you live vicariously. Remarks can be made about how she dress provocatively, but I say she's trying to have fun and experimenting in the prime of her life. I would have done the same if I looked like her. From observing her styling behavior, she picks apart different influences from monumental bombshells through time and has formed her own look turning into the beach model bombshell defining style right now. She calls back to other model and musician moments such as Karen Elson and Jack White, Leo with his Victoria Secret vixens, and the infamous Kate Moss with her many musical relationships. However, I do want them to last. Key style moments of her would be the floral slip dress that probably cost $20 but looks perfect and the slip dress at her impromptu wedding. You can't get more 90's supermodel than that. 
Their style together makes me impressed because they always seem to coordinate. It seems effortless, but I'm guessing they have stylists who are partners which match the two lovebirds together. They are not exactly matched because Justin is super relaxed with his surfboard moment and she is the gorgeous Insta-girl, but beauty is found in contrast. Ramblings continue with them looking as if in 20 years from now they will be talked such as Johnny Depp and Kate Moss. It can seem ridiculous to think that some of the photos of them together seem timeless. Yet, photos like him in an oversize Hanes-esque t-shirt with her smiling at him in a fitted, cropped leather jacket are bliss. It's nice to see young love, and it give us hope for the rest of us (myself especially included). 
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Hair color b4
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to now
Ariana Grande "Cloud"-(13 Going on 30)
       She did use this reference for Thank You, Next, and I believe this is appropriate the perfume seems fit for a girl of 13 or a woman on the rise at 30. I appreciate that it is not too sweet but sweet enough. More like a vanilla latte than a caramel macchiato. 
Dior "Joy"-(Groundhogs Day)
       It honestly smelled like Dior J'Adore, and the creators may have only placed a few differences in the perfume to make it smell kind of particular. I'm guessing they thought Charlize Theron was getting too old (which she's not) and decided to place Jennifer Lawrence there in revamping another type of image. 
Giorgio Armani "Sun di Gioia"-(A Star Is Born)
        As some may tell by the movie rating, this one is my favorite. I would honestly love to wear this personally. It conjures up streets of gold and opulence. My mother would also love this 'cause she is a sucker for those kind of vibes. 
         "                 "Air di Gioia"-(The Polar Express)
        The perfume for me had minty notes of cool refreshment; even though, that is not even close to the actual description. It smells scrumptious, and for mint to do that, I am impressed. 
Carolina Herrera "Good Girl"-(Belle du Jour)
         The packaging is hands down the best. Period. The smell is not synonymous with the name and gives thought to the imagination. My interpretation was if a girl wanted to wear AXE with it being pleasant and not smelling like a junior high locker room. 
Escada "Sorbetto"-(Meet Strawberry Shortcake)
         Sugar rush does not even describe this fragrance with cotton candy overload. I wanted to smell Escade because I do not hear much information about the brand, and like Shania Twain this did not impress me much
All Kim Kardashian West (did not know about her beauty line)
"Cherry"-(Before Sunrise)
         This is what you want to wear for living life and being young. If you can recall, there was the Delicious by DKNY that reminds me of this. It is unmistakable for smelling of cherries, and great for being absolutely desirable. 
"Body"-(Definitely, Maybe)
        A clear identity is missing from this fragrance. I hate the packaging not because of the depiction of the female form but because it copies Jean Paul Gaultier's "Classique." Even the smell seems too generic with me thinking of Bath & Body Works. No, no hunny!
"Peach"-(Steel Magnolias)
        This is different from the cherry in that there was no quality about the fragrance that enticed me. It felt very generic in the smell, and something that needs to be cheaper. The scent is of something in a bargain bin somewhere in a drive-by town in the South. 
"Crystal Gardenia"-(Frances Ha)
         In smelling this, I automatically thought of one my friends who loves to dress very minimally with greys, blacks, and taupes. It seems the most trendy and goes along with city life. Sister is a floral, but a floral with purpose. 
Amateur Rating Perfumes Found At Ulta (December 5, 2018)
Storytime, again! There was one day where rain was pouring down crazily. As my shy, extroverted self I hated this, and I had plans to go shop with new money because of being paid. What did myself do? I got my trench coat and headed into thunder. It could be interpreted as dreadful, but the rain eventually lessened within an hour. After driving through frustrating fog, I arrive at Ulta. This one I have never been before, but one of my friends works there. I thought I might could catch up with her. She was not there, but friendly employees were. I just needed people to be around for the night. I mosied around the store near skincare; even though my bank account would scream bloody murder if I bought anything. Yet, my eyes wandered to the bleach. Thoughts have come whistling through my mind about the possibility of bleaching my hair myself. Yes, I have seen tons of bleaching hair fails on YouTube, but stubbornness prevailed. I talked to a hair stylist who advised this, that, and those. It rounded up to $50. I was not planning on this kind of purchase, but I wanted to work on my hair anyway. 
Now, there might be wanderings about the perfume side of the story. I wanted to try out new perfumes. They may not be new to everyone, but to me living in Arkansas they are definitely. The ranking will be fun because of it being in movies. Shall we?
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Love a good typo!
QUEEN!
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My notes page while smelling between coffee beans
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Thick As Blood (November 27, 2018)

It is a Monday morning. The first day back after a week of not being able to get all pretty and dress up for a crowd. There was a plan imagined in my head of how I was going to look. I would wear my red double-breasted peacoat alongside my cheap $7 beret in the matching MAC Russian Red color. This made me feel like Julie Christie in Dr. Zhivago. Stress occurs because of how everyone else is dressed, and I do not want to be spotlighted for how I look. I was anxious about my brave expenditure, but my courageous fashion choice turned in my favor for the night in taking pictures with lights flashing above and behind. I was acting as the inner queen I am. That can be the power of red.

Red is powerful. Think about what red lipstick connotates. It belongs to people who have a stance and are not afraid of what the world may bring because of their inner confidence. As a childish soul, I formed a distaste for the pigmented color, but I have to appreciate it and admire it. It is always a color that demands attention and is talked frequently in my visual classes as the color to use for accents. Some of the most memorable fashion moments have dealt with this shade. One of the most notable femme fetales who one of my friends had a childhood crush being the Jessica Rabbit. In not only wearing a va-va-voom dress which makes one stand out on its own, but also her majesty donning on crimson waves ala Rita Hayworth. No one remembers the title of that movie she played (Who Framed Roger Rabbit?), but people remember the figure donning on the red carpet dress. Then, there is Julia Roberts playing Vivian in Pretty Woman with her wearing another famous red dress for her to cry later at the opera being her drop dead 5’10” gorgeous self. I nearly passed out, fainted, had all internal organs taken out of me when I read the dress was supposed to be black. The costume designer, Marilyn Vance, decided upon her instinct, that the dress should be red. All I can say is THANK YOU!!!

People can become afraid of this dominating color. I myself being one of them because when one wears red one gets noticed. There is an unmistaken difference between a black dress versus a red dress and a nude lipstick versus a red lipstick. Of course a respectable socialite woman could wear an elegant, signature red Valentino gown to a fancy, art exhibition in the main area of Paris. She would wear the best dress, but to be the best dressed she needs to carry the confidence to go along with the hue. Confidence and not arrogance is the magic formula. Red can also carry the association of someone being downright slutty. In being painstakingly honest, I find being seductive to be nothing wrong. It is when this path crosses over to vulgar territory to the public that a reputation can be ruined. But, this color can enable success. Apparently, men who wear red ties on the job are more respected. Yet, red caused inward success in helping to establish worth. Because you will look great and receive compliments even at first you believe you do not deserve them. Then, you will feel the way that you look. Your posture becomes straighter, and your outlook becomes better. All because of this primary color.

It's the real color of rebirth, of beginning.-Andie Condie
the honest truth
*This is not directly correlated to fashion but tells my story. 

ed (November 15, 2018)

This may be one of the hardest events I have ever had to do, but this needs to be discussed. The only reason I am posting is for benefitting others who are going through similar experiences. The need to write about the certain personal section of my life has come from recently interacting with someone about these issues. I do not want for anyone to experience the mental detriment I have for a number of years. In getting straight to the point, here it goes.

This is the beginning of my eating disorder. It makes me cringe to call it this because it makes what I experienced actually real. The struggles have somewhat always been there since I can remember. At 6 years old, I remember being at a flea market-like store with my mother and my aunts. My mom asked if I wanted to wear a tank, but I said no because of my insecurity in showing my arms. This seems extreme but is a reality for many people. Then, the monumental beginning stage is imprinted on my mind. I can recall being my typical bored self watching Boy Meets World at 10 during the summer between 4th and 5th grade. I suddenly had an urge to weigh myself, and so I reached for my mother’s crusty, damaged one from the bathroom. In placing it on the carpeted floor, I stepped on it to find I landed in the triple digits. This makes sense, but at the time of discovery I was shocked. I planned to lose weight and become “healthy.” I did not have the slightest inclination of what healthy meant. My diet for that summer consisted of Lean Cuisine and Weight Watchers ice cream. The Chicken Parm is great along with the stir fry, but that is beside the point. I eat this way along with exercising on the Total Gym, which probably did not do much since I spent at max 5 minutes a day on the system, but I heard my dad once say that I did not eat enough at that time. After losing 20 lbs that summer, I remember a doctor saying that I should not lose more weight. He wasn’t the only one. I remember former teachers saying to me that I should not lose more weight either when I was in 6th grade. At this time, I did eat normally but craved the attention of not eating enough. I did want the attention and have a disorder which usually people do not think works but was my situation. 

10th grade has hit, and I am now participating normally in sports. The exercise portion of my story finally is highlighted. I remember focusing on my thighs and wanting them to be smaller because I thought they were huge. Then, I also decided to focus on my stomach which became the main subject of my body dysmorphia. I later saw myself in a mirror and was disgusted with how I looked. Then, someone told me about doing more in exercising, so I followed that. The exercising became ritual, and if they were interrupted all hell would break loose. I remember crying at one instant for not being able to exercise on one day because I did not have enough time. Later that year, my mom interrupted a session by calling me, and I lashed out in a way that was uncharacteristic of me. Running became a regular part of my routine in high school no matter what. Whether humidity was at an all-time high or the weather was freezing cold. I even did it when company was coming over within no time. During this time was when restriction was more severe. Normally in puberty as a guy you are supposed to eat a ton, but I felt that I couldn't because I thought my metabolism was not ideal. There were times when guys on sports teams would comment on my eating habits and say that I had an eating disorder, but I always denied it thinking I did not. When in fact, I was in denial. Next, comes the most critical point. My freshman year. 

Freshman year hit, and as natural for many coming to their first year of college, loneliness was more prevalent than ever before. It was a tough time which did not help the disorder at all. I had time to research about food 24/7 and be obsessed with it constantly in my head because of restricting than ever before. The restrictions were easier because of all food decisions falling on my lap. In eating, I considered it to be an accomplishment to eat little or be hungry. I don't think there was a moment during that year when I felt full. Honestly there could have been days where I would only have 700 calories, but usually I think it was between 900-1000. Exercise was also the most intense with trying to never miss a session on the subscription calendar. In missing exercise, I would have massive mood swings. I thought I had to be super thin and that my value as a human is comprised without looking a certain way. The goal was to have it all and be the best, or I would be a failure without worth. These were my thinking methods. Next, was bingeing. This was a taste not like in the following summer, but I would eat a ton at sometimes for "cheat days." After feeling that terrible, I would exercise intensely for a brief minute to feel not completely hating myself. 

The summer after my freshman year reached another peak in terms of bingeing. If you are familiar with fear of eating in front of people, that was me and is still me. I would lounge around in the pantry, eating whatever I could find. This was when I let go and ate to the point of feeling sick. I didn't care because I was deprived for so long. There was a segment of time when I was full for 3 straight days. I gained 20 lbs and probably more. Whenever I discovered my weight would increase from constantly weighing myself, I would have fits of rage in my room where I would slam on the floor. Now I can't bring myself to go on the scale because of fear. I don't ever want to see a number correlated with how much I weigh. During this time, I was also at a stressful job and when that was over, I began to decrease in weight. Yet, in the wellness class after the summer, there was a session I had to participate where I had to be weighed, have my height taken, and have a recorded fat %. This for me was an utter nightmare. When I found out the hard data, I relapsed. I walked around hating myself with eating only a bowl of Raisin Bran and an apple afterwards. 

I never went to a clinic. Partly because I did not want people to find out nor did I believe I had an eating disorder. What I had could be classified as EDNOS, since it combines aspects of anorexia, bulimia, and binge eating. But I did have a problem even if I thought it was not severe enough at the time. Like I said before, the main reason I chose to reveal my inner struggles was to show light for someone else. I want to prevent any pain that could be caused for individuals that have one. I want people to know they are worthy of not inflicting this pain upon themselves. I remember thinking to myself if I could not attain a low enough BMI or be tall that I was not good enough for life or for being attractive. Everyone is worth love, and it is still a hard lesson for me to know that I am enough. Yet, that will take time. I want to show how eating disorders can affect a wide variety of people including a man like me. It happens so much more frequently than what is realized by most. I heard once about a pipe problem of puke for a college dorm where I attend with the girls were throwing up food. I want more admissions to be made known because of loneliness being key for developing problems. With admission and vulnerability comes growth. There are networks, counselors, and there is me. I am going to give my email address for any who would need it for their own personal struggles. I am not an expert, but I am somebody. Remember again that you are enough. Eat what you want with no fear and always communicate your problems. 

coltonzeigerfrench@gmail.com

Jeffree Star-There has been a plethora of debate and controversy arising out of the Jake Paul and Shane Dawson documentary, yet Shane also collaborated with Jeffree Star. With this, I could not help to overlook the Barbie pink, Gucci collection, and of course the bleached hair with lots of wigs in the house. For the Star, go all out! The more over-the-top with color, skin, and print the better. Yet, still retain a sense of elegance with having your life all together.

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Lady Gaga-I know she was going to be big from the moment I saw her debut at American Idol (doesn’t that sound ancient). Her new style has been goals for me, and she is more than having her moment! Put the Lady in your outfit with sleek silhouettes that are slightly unusual and go for excessive drama in jewelry, dresses, bags. You name it!
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Justin Timberlake (or any other 90s boy band member)-This is the funniest by far, but it goes along with the obsession of the 90s which still annoys me. For this you need to do the frosted tips to emulate JT. This costume calls for tank tops (preferably from Walmart), baggy pants, and bomber jackets to make teen girls swoon. Even though JT was from NSYNC, I adore Backstreet Boys more. Sorry not sorry!
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Platinum-Worthy (October 29, 2018)

So, my favorite holiday is happening right around the corner where you can dress up as a completely different person and eat as much candy as wanted without being judged. Halloween has consistently brought delight in my life, and I have loved some of the costumes I have created. Some have been a skeleton, Chucky, and even, David Bowie. Now in combining this festivity with a current trend, I am going to select outfit ideas for using notable people with platinum hair. This being written as I intend on redoing my hair because some of it is looking a lil’ brassy.

Billie Eilish-This star is on the rise, and I love her even more after seeing her in concert. Even though she dyed a hair a noticeable, sapphire hue. So many of us knew her with platinum locks. For a costume, incorporate baggy atheisure whether it is an oversized top and basketball shorts or a utilitarian jumpsuit. Plus, a ball cap wouldn’t hurt.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Troye Sivan-This person could honestly define 2018 with a new album, collaborating with other singers, and starring in a probable Oscar nom. For this costume in honoring Troye, there are two ways to incorporate his aesthetic. Femme boy is the obvious choice in wearing button downs tucked in trousers with a noticeable coif and blushing cheeks, but there is also his ‘Bloom’ moment where I died with the use of couture fashion involving feather hats, crop tops, and ballgown skirts.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Donatella Versace-She is the woman who resurrected a brand. Lots have doubted her latest move for Versace, but I trust she has a master plan. Anyway, she is heavily noted for her exaggerated style. For her, be inspired by the extreme sexiness of Versace. Body conscious clothing are what it is all about in sheaths, leather jackets and matching pants. Also, make sure to have the pouty lips with a healthy dose of confidence.

 

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you should see me in a crown

NY: We Love You (October 23, 2018)

For anyone who has payed attention to fashion events in the last year, we have formed an opinion that New York has downslided from being on it’s A-game like the other fashion capitals. From brands going across the Atlantic to show in Paris, show on the West Coast, or just have a presentation (which people thought was forward-thinking at one point but now is honestly sad.) I think, where is the party, where is the clout, where is the energy of New York anymore. Home of gay-beloved Carrie Bradshaw and my spirit animal, Holly Golightly. Well, from what has happened recently I have developed a theory that will give the current fashion world a new perspective. The fashion world is trying to make New York pop again.

This can be sort of kooky for me to suggest an idea not mentioned widely from anyone of importance, but I do have a gut and I trust it. One of the first key evidences I have noticed is the confirmation of where Chanel’s next Pre-Metiers d’Art is going to be held. There could have been an explanation of it being held because of the plan to go back after 2006, yet I believe it could have been held there to hype people up. And then, there is the major story which I wanted to write about from the moment I ever heard anything about it. Versace and Michael Kors. The fact that these two combined together for what seems like forever still baffles my internal core in being paralyzed. In my mind, I’m thinking how is this going to work. Yet, I do have to trust my Donatella. This idea seems entirely farfetched, but she is a genius. She did transform a company that was in dire heed from a horrible tragedy into a global fashion empire that is still recognized by the entire world. This pairing still breaks our hearts because of a treasure so familiar to all of us has become dead instantly. I recently started a friendship on our mourning of Versace. She told me about this being her favorite designer, and she could not believe the news. So many people like her are without hope. They are walking on today’s streets with the thought of what has fashion come to with major designers leaving (plus, Hedi Slimane at Celine but that is a different story). I still have hope, and I believe Donatella has a plan. We just do not know what it is because of the plan not following tradition in the fashion arena. I am claiming it now that it could be as revolutionary or more than Michele’s rise at Gucci.

 

 

 

 

 

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Chanel for Metiers d'Art in Dallas, love that old family reunion wood, YAAAS!!

Then, there are the designers who have decided to come back to the hands who raised them. These are designers such as the Mulleavy sisters at Rodarte and the bros at Proenza Schouler. Joseph Altuzarra hasn’t come back, but give it time. This in a way annoys me, but I understand from a business point of view why the designers transcended as they did. With them coming back to the states in NYC, it gives hope to the city in terms of fashion. Yet, we also need to consider the newer designers who have killed it in the past few years such as the duo at Eckhaus Latta, Sies Marjan, and Gabriela Hearst. Just because older designers are leaving does not mean New York is in ruins. This is not Old York. It is called New York for reasons. Yet, the city could use some help in bringing established credibility. I predict big plans for the future.

Is Marni The New Prada? (October 7, 2018)

With fashion month concluding, I have contemplated on an idea in my head that ties into the current state of fashion at the moment. Francesco Rizzo has progressively made strides in building reputability into his label while Prada has had a sort of downfall from former glory. Why do I compare these two, you ask? Well, they both are Milanese fashion labels that profess on this idea of Italian sensuality executed in forward-thinking high fashion concepts. Also, Rizzo did work for the fashion powerhouse for a considerable time, so I'm guessing old habits die hard. 

 

 

I do have to include in the beginning, Rizzo had moments at his first fashion show for Marni of copying Prada by ways of similarities in hair and the bourgeois-style of dress with traditional overcoats and pencil skirts in quirky patterns. Yet, he progressed into finding his own with the fashion house with the longer, leaner silhouette, brighter colors, and innovative textiles such as the recycled carpet for a coat in Fall 2018 which still blows me away in pondering it.

Prada, however, has somehow declined in the thought processes for collections. For the current Resort collection, there were undoubtedly superb looks (Julia Nobis, I die!), but the brand keeps relying on the past to keep supplying for the future. My love for Prada started with it not being super favorable to begin in seeing the collections, but after a while, you do not know how you could ever live without them. My fashion palette has evolved and matured in witnessing those collections over the years, but now the collections seem wilted by lack of ingenuity with original ideas.

In focusing attention on the current collections, Marni’s show included a womanly silhouette with bustiers and full skirts but the clothes finished in an artsy fashion relative to the brand’s aesthetic. Highlights included the mix-matched prints that screamed Andy Warhol and Karen Elson was a lovely addition. It reminisced Prada, but this and other collections feel more happier and less sinister.

https://www.vogue.com/fashion-shows/spring-2019-ready-to-wear/marni 

Yet, at Prada, the effect was all about the past in not the most enlightening way. Evidence comes from some of the necklines which call back to Fall 2015 and Spring 2013. The babydoll dresses and peacoats came across as old and dated. Then, the black embroideries recalled back to the downtrodden housewife of Fall 2013. This is depressing since sort of recently the collection for Fall 2017 is marked in my mind as being one of the best in this decade in the inspirations of 1960s protests being relevant for today’s world. Hopefully, I’m think that this period is just a pothole for the brand instead of a dead end. It would be a shame for the brand to travel in that direction.

https://www.vogue.com/fashion-shows/spring-2019-ready-to-wear/prada

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those chunky black sequins

I know photo quality is terrible, but you gotta do what you gotta do
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(sorry for not the best images, copyright can really suck!)
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fashion forecast #1 (September 20, 2018)
I'm Alive
Yes, you probably thought that I died and fell off into nothingness like someone off the Jersey Shore. What I did was unprofessional and I realize that. I am sorry. However, I want to come back with new, refreshing content especially in keeping in mind with the fashion month happening in Milan at the moment. Don't want to miss the crazy 'cause you know it is alive and well. 
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Trends are still prevalent, even though people try to profess individualism in fashion everywhere you look such as US Vogue's intro being used in every issue. One which I want to detail and my queen Lana loves is the sort of Lolita trend. This was started by the lost daughters, the Mulleavy sisters, with their Spanish-esque clothing filled with ruffles and frou-frou galore. Then, Marc Jacobs comes to mind with Sunday Easter dresses, which was basically his Fall collection in pastels. Miss Lolita went international in London and now in Milan. With the groundbreaking Richard Quinn, bows, babydoll dresses, and pouf was highlighted into an Alice in Wonderland type of world . Lived for the black and leopard moment! Then, in Milano, bellissima happened with Prada! Not on a grand scale but the peacoats, a-line skirts (not the tie-dye ones), and lavish embroidery are vastly appreciated. 
For those in New York, the trend of globalism was prevalent probably due to one political leader who we all know. There were references to the MIddle East, the Caribbean, and Latin cultures. A Bollywood presence had to present specifically at Oscar de la Renta with the tassels and Prabal Gurung with the patiently-positioned embroidery. (That pink dress, tho!) For the Caribbean, people wanted to go back to the islands literally like with Anna Sui and Michael Kors. Then, Prada using the tropical tye-dye (yet not in the best way!) For celebrating the Latin culture, I saw flamenco influences everywhere. For Wes Gordon's debut at Carolina Herrera, positive flounce with emphasis on impactful color was a primary highlight. The ruffled gowns were sublime plus I would love to dance in one then fall like JLaw. Rodarte was previously mentioned with mimicking a Day of the Dead and Carmen Miranda style, but real concentrated tea comes with Michael Kors. He stewed that tea by the Baja hoodies which you could probably get somewhere else for $25-$40 versus his unoriginal idea probably going for upwards of $2,000. 
For nothing boring or obvious being the plaids or stripes, I will make the case for leather which has become increasing in Italy (another duh)! This leather can look refined like in Maxmara, where exists a section of leather heaven, and Christopher Kane, where the most synthetic, artificial substance can emerge and it be fabulous. This synthetic look has become more popular when you look more into the street styles but there are still brands like Fendi which used leather in a sumptuous way by being minimal with nipped-in silhouettes and attention to volume. The execution was performed in a classy yet modern way. Now I'm going to make an off-topic connection but one that brings everything together. This trend makes me think of Phoebe Philo's first collection for Celine, which probably can be regarded as one of the best collections of this decade in using the utiliarian look as being so luxurious. (The image of Kasia Struss in towering wide-legs with a olive-green leather t-shirt will forever be stamped in my mind.) But I am waiting to see what Hedi Slimane will debut for the brand. Hoping to be surprised but know it will be one of the key moments for the season and will probably steal Paris. Hope to catch back a lot sooner!
basically my childhood circa 7th grade
way cheaper than the runway stuff
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